HYGGE – No other word in the Danish language has become as internationally celebrated as “hygge”. Hygge is all about feeling good – security, warmth, and comfort all form part of its DNA, intertwining to create an atmosphere that encourages connection and relaxation. It encompasses the simple pleasures in life and invites people to take a step back from their hectic routines to enjoy both the small and significant moments. We have designed an exclusive range in which soft lines and encircling contours create a cozy and pleasant space, perfectly embodying this philosophy. The collaboration with Simon Legald for Normann Copenhagen is a testament to our commitment to enhancing your living experience, ensuring that each piece not only serves a functional purpose but also contributes to a harmonious, inclusive and inviting environment.

Bit is an aesthetically pleasing, versatile stool with countless possibilities for your home. Use Bit as a pedestal for a floral arrangement, as a side table for a lamp, or as seating for that unexpected dinner guest. The straightforward, utilitarian look contrasts with the pixelated surface made up of small bits of 100% recycled household and industrial plastic. Designed with Simon Legald for Normann Copenhagen.

At its core, Bit embodies Saskia’s approach to design—turning sustainability into a positive, engaging narrative. With its playful form and vibrant materiality, it challenges traditional perceptions of recycled materials, proving that conscious design can be both joyful and functional. Rather than emphasizing scarcity or restraint, Bit tells an optimistic climate story—one where innovation, creativity, and circular thinking pave the way for a more sustainable future.

The Nordic Bauhaus Series is inspired by the timeless principles of Bauhaus design, the geometric forms were reshaped with the gentle warmth of Scandinavian aesthetics. Through simple intersections and delicate lines in harmony, a playful silence is created. Two-dimensional circles, lines, and abstractions intersect, each piece turning into a harmonic relief, expressing its own Nordic Bauhaus feeling. The integration of acoustic functionality into art adds depth and practicality, elevating the sensory experience. Available at Arturel.

BUY HERE

The sculptural bench is a functional piece of furniture; it serves as a space to store daily essentials like jackets, bags or umbrellas, while creating a comfortable seating with its rounded
shape. Designed to blend seamlessly into everyday life, it becomes an emotional part of its surroundings.
Crafted from durable, timeless wood, the bench is built to last. This piece goes beyond mere aesthetics—it contributes to a positive environment, reflecting a mindful approach to climate-conscious design.

With its soft, rounded form and minimalist expression, the bench brings a sense of warmth into the space. It’s designed with an emphasis on simplicity, moving away from traditional square forms to create a harmonious, inviting presence.

A striking feature of the bench is its wooden surface structure, which features a pattern of various brown and beige tones, showing the real play in the wooden structures in a tree like
ash. This detail adds a layer of visual elevation and storytelling.

COLLABORATING INDIVIDUAL STOOLS UNITING IN A BENCH, SIMPLY TOGETHER
Embodied in an object, unity and collaboration. Connecting to form a cohesive whole. Each individual is part of the whole. Through solidarity, let’s twogether inspire conversations and connections.

CLIMATE COMMUNICATION. TELL WITH CARE. MADE BY HAND, ART. DO NOT THROW OUT. INDIVIDUALS, TO BE CONNECTED. TAKE CARE OF NATURAL SURFACE. MADE IN DENMARK. SOCIAL UNITY CLIMATE STORY. FORM22

The feeling of hygge is not only linked to the visual experience of the design; it lies in the overall sensuous experience. A lot of effort has gone into sculpting the shape to provide rest and support for the human body, to make it comfortable to sit in, basically. Designed with Simon Legald for Normann Copenhagen.

JUST A LITTLE BIT – The Bit Stool is a sculptural yet functional piece that redefines sustainable seating. Designed during my time at Normann Copenhagen, I developed this concept for Simon Legald, exploring the intersection of bold aesthetics, material innovation, and versatility.

Crafted from 100% recycled plastic, Normann Copenhagne found the perfect material for the created shapes and turn it into a speckled , terrazzo-like stool, which makes each piece unique. The chunky, monolithic form is playful yet minimal, allowing it to function as a stool, side table, or sculptural object in both indoor and outdoor spaces.

With a strong emphasis on circular design, the Bit Stool embodies the potential of recycled materials in contemporary furniture, blending sustainability with timeless Scandinavian design principles.

The Glypto Table is a quiet centerpiece – both grounded and graceful, designed to bring people together without demanding attention. Its sculptural tabletop draws inspiration from the soft folds of a tablecloth, evoking the feeling of a festive gathering. Subtle wave-like contours add both structure and invitation, encouraging closeness and interaction.

The design balances presence with restraint. With six gently defined edges, the table naturally accommodates small groups, offering space for conversation, drinks, and shared moments. Though visually bold, especially in deep black, its form is considerate – offering stability and elegance without overpowering its setting.

Originally created for the Glyptotek in Copenhagen, the table needed to support a variety of uses across the museum’s 25,000 sqm – from events in classical galleries to gatherings in lush gardens. Its modular construction allows up to 20 tables to be stored in just 1.5 sqm, marrying function with finesse.

At its core, the Glypto Table serves as a calm stage – a reliable podium where people can gather, feel at ease, and let the space around them shine.

The concept of hygge is all about feeling good – security, warmth and comfort all form part of its DNA, and it is precisely these qualities that provide the template for the Hyg collection. With the new models, the range – and the coziness – further unfolds, and new possibilities arise of creating coherent environments with both dining and lounge areas. Designed with Simon Legald for Normann Copenhagen.

Experimental shape studies turned into a collection of stools with a sustainable approach. Bit is an aesthetically pleasing, versatile stool with countless possibilities for the home. A pedestal for a floral arrangement, a side table for a lamp, or an impromptu seating for that unexpected dinner guest. The straightforward, utilitarian look contrasts with the pixelated surface is made of small bits of 100% recycled household and industrial plastic. Designed for and developed with Simon Legald for Normann Copenhagen.




At its core, Bit embodies Saskia’s approach to design—turning sustainability into a positive, engaging narrative. With its playful form and vibrant materiality, it challenges traditional perceptions of recycled materials, proving that conscious design can be both joyful and functional. Rather than emphasizing scarcity or restraint, Bit tells an optimistic climate story—one where innovation, creativity, and circular thinking pave the way for a more sustainable future.

The Orient carafe and glasses are made of hand-blown colored glass. With a reference to Tivoli’s many oriental details in architecture, materials and colors, the curved design has a familiar and friendly expression. The design was developed for  Normann Copenhagen in collaboration with Tivoli , a collection to take the Tivoli feeling home.

Waiting furniture Main Station Copenhagen– A modular waiting experience designed with Copenhagen Central Station in mind. The station, a hub of constant movement, inspired this piece to reflect the dynamic energy of its surroundings. The goal was to create a design that accommodates different ways of waiting—whether standing, taking a brief rest, or sitting for longer periods.

The modular structure offers flexibility, with an airy, open design that allows for smooth movement without disrupting the flow of the space. Curves in the design are drawn from the station’s bow-shaped architecture, ensuring the furniture fits naturally within its environment.

Color was a key element in achieving harmony with the station’s atmosphere. While some decisions had to be made quickly, the final color choice complements the space, offering warmth and vibrancy. The design balances both comfort and functionality, supporting travelers in various ways.

Stationary Flow challenges traditional seating by offering an adaptable and intentional solution that responds to the rhythms of the space

The Tivoli Lamp is a tribute to enchantment — a sculptural light object inspired by the magic of Copenhagen’s Tivoli Gardens. Designed for one of the world’s most iconic public spaces, the lamp blends organic form, playful reflection, and contemporary technology to create a lighting piece that exists in dialogue with its environment.

Evoking the shapes of plant life and the shimmer of water, the lamp is as much scenography as it is design. Its mirrored aluminum surface reflects the world around it — visitors, trees, architecture, and movement — capturing fleeting moments in its polished skin. By day it shimmers quietly; by night it glows, casting shadows that invite imagination.

Its versatility is intentional: the lamp can hover from tree branches like a glowing cloud or rest gently on the ground to illuminate flower beds. Built in weather-resistant aluminum, it is durable and prepared for the elements. Raindrops cascade off its surface — sometimes forming a miniature waterfall — further connecting it to nature.

Produced using innovative 3D-printed metal techniques in collaboration with DTU and Teknologisk Institut, the lamp merges traditional craftsmanship with modern material possibilities. It’s a step into future-facing production, while still rooted in poetic storytelling.

For Tivoli, where fantasy meets the real world, this lamp becomes more than illumination — it becomes part of the landscape’s magic.i.

The Nordic Bauhaus Series is inspired by the timeless principles of Bauhaus design, the geometric forms were reshaped with the gentle warmth of Scandinavian aesthetics. Through simple intersections and delicate lines in harmony, a playful silence is created. Two-dimensional circles, lines, and abstractions intersect, each piece turning into a harmonic relief, expressing its own Nordic Bauhaus feeling. The integration of acoustic functionality into art adds depth and practicality, elevating the sensory experience. Available at Arturel.

BUY HERE

The red sofa, the master piece winner of Danmarks næste klassiker — it’s a statement. A piece shaped by stories of reuse, collaboration, and bold climate communication, it brings together design integrity with a clear environmental purpose.

Crafted almost entirely from recycled materials, the sofa reimagines what sustainable furniture can be. Former office desktops form the structure, while leftover padding from carpet production and Re-Wool fabric made from recycled wool complete the build. Every component carries a trace of its former life — no compromise on quality, but a conscious shift in narrative.

The design draws from Bauhaus principles: functional clarity, reduced form, and honest materials. But it also takes a leap — choosing a vibrant red tone to challenge the visual language of sustainability. This isn’t beige or understated. It’s direct, vivid, and meant to start conversations.

Developed in collaboration with Holmris B8 and their Recrafted initiative, the sofa embodies a real-world commitment to circular design. It’s not a prototype for the shelf — it’s a scalable solution, built with the ambition of changing how the furniture industry sources, produces, and rethinks waste.

More than just a “masterpiece,” the sofa became a personal milestone. A design anchored in climate communication, it reflects the journey of turning concern into action — and action into a tangible object that invites pause, dialogue, and change.

Bit is an aesthetically pleasing, versatile stool with countless possibilities for your home, indoor and outdoor. Use Bit as a pedestal for a floral arrangement, as a side table with your sofa, or as impromptu seating outdoors. Inspired by clear-cut shapes such as monoliths and columns, designer The take on the stool is both bold and multifunctional. The straightforward, utilitarian look contrasts with the pixelated surface made up of small bits of 100% recycled household and industrial plastic.


At its core, Bit embodies Saskia’s approach to design—turning sustainability into a positive, engaging narrative. With its playful form and vibrant materiality, it challenges traditional perceptions of recycled materials, proving that conscious design can be both joyful and functional. Rather than emphasizing scarcity or restraint, Bit tells an optimistic climate story—one where innovation, creativity, and circular thinking pave the way for a more sustainable future.

The Ticket mirror gets its industrial and modern look from hole perforations around the mirror’s steel frame. A brass detail elegantly covers the mounting hook. The initial idea for the Ticket mirror’s punctured design comes from the original entry tickets in paper that you had to hand over to the usher before entering the Tivoli Gardens. Bring the Tivoli feeling home with design objects by Normann Copenhagen.

Psychological barriers of feeling overwhelmed by information, uncertainty about what actions to take, and various reasons why we may fail to act, even when we know the importance of doing so.

CLIMATE COMMUNICATION. TELL WITH CARE. MADE BY HAND, ART. DO NOT THROW OUT. LIGHT UP A SCULPTURE, WARMTH. TAKE CARE, ALSO OF SURFACE BELOW. MADE IN ITALY. INACTION DRAGON CLIMATE STORY.

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The Dragons of inaction design is a part of the Form22 project with the mission of climate communication through art and design. Saskia and Niels are 3D storytellers and design communication for today’s climate challenges. With an interdisciplinary approach and an involved network of climate specialists, artists, marketers, and innovators, they craft narrative emotional product designs. This is how a positive space can be created.

The Path serving boards are playful serving trays made of oak wood that can be put together in numerous ways to create new patterns. The three geometric shapes are derived from the harlequin check seen on the famous Harlequin figure’s costume in Tivoli’s pantomime theatre. Bring the Tivoli feeling home with design objects by Normann Copenhagen.